26 year-old Karl Marx embarks with his wife, Jenny, on the road to exile. In 1844 in Paris, he meets Friedrich Engels, an industrialist’s son, who has been investigating the sordid birth of the British working class.
Taking place at the Concentration camp Buchenwald at the end of March 1945, prisoner Hans Pippig discovers in a carrying case of an incoming prisoner a Jewish child.
The film intertwines historical events and intimate memories. I observe how architecture represents the transformations of society and those who give form to this architecture.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
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